Airdlaggan House was in Glasgow, just. I discovered
that fact to my surprise and discomfort when the bus dropped me off on what
looked to me like a Discover Scotland advert, all drystane dykes and bewildered
sheep.
The surprise came as I walked back down the winding
lane towards the roadside nameplate I’d seen from the bus, the house title
scrolled across its width in Copperplate Gothic Bold. Thirty yards before I
reached that sign, I came upon another, embedded in the verge, which whispered
rather than shouted a quasi-welcome that read “City of Glasgow”. Still? Out
here, in damp tartan fields populated by Harry Lauders and scrawny trees whose
branches grew bannocks?
Apparently, yes. Airdlaggan House itself nestled in an unlikely
crook of the seemingly far-distant city, even if its fields and livestock were located
across an invisible border, enjoying the rustic scenery of
Inver-aber-bala-strath-sneckie or whatever lay in the great beyond.
The discomfort was more a function of realising that –
city address or not – the path from the road wound (uphill, naturally) a long
way before it reached Airdlaggan House itself, half-visible on a tree-bound
hilltop. The electronic vehicle access was closed and locked but a kissing gate
let me onto the property and up the gravel roadway that split a sprawling
treeless field. I climbed the hill in an artless slalom, swaying this way,
that, and more, to avoid the generous dollops of sheep shit that speckled the
gravel, while the perpetrators glared idly at me.
The house, as I gradually began to see, was as
faux-grand as I’d hoped. A manor where a farmhouse should be, Queen Anne,
neo-classical and mock-Tudor styles collided and disputed, an architectural
train wreck from another country that – carpers, take note – would still cost
any buyer an even number of millions. Three cars sat outside on the terminal
sweep of the drive that led to the porticoed front entrance, all of them
late-model with vanity plates. I became so idly preoccupied with attempting to
decipher the meaning of HI2 DLD that I almost missed it.
The body.
It was the
sound that caught me short, a sharp creak of rope straining in the wind, clutching
against a middle branch of the mountain ash by the side of the drive. Twisting
in the fatal clutch of a noose hidden now, biting into his purpling flesh, a
man dangled, limbs a-droop, bobbing in a marionette dance of indecision, head
turning like he was saying no to a
question nobody had asked him.
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